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The Whimsy of Dank Ju-Ju is a collection of colourful, energetic poems which revel in language. Using experimental forms and punctuation, with snippets of lines exploded across the page, Akhtar drags the reader into a world of magic, heat, life and... whimsy.
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Deborah Alma's poems are gloriously pungent, teeming with colours, textures and smells. In True Tales of the Countryside, her debut pamphlet, Alma writes vividly about sex, love and ageing in rural Shropshire and Wales, and reflects on her experiences as a mixed-race, British-Asian woman. Eyeballs pop, fresh piss steams and women come – loudly – in poems which often startle with their honesty and intimacy.
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You never know how things really are in other people's families, in other people's homes. There's the public face and the private truths – the personal griefs and tragedies, whether festering or resting in peace. In her wry, engagingly strange poems, Anne Bailey takes the door off the latch and lets us inside. She shows us loss and disappointment, as well as hardness and resilience, particularly through the eyes of a daughter, wife and mother. We see the domestic sphere in such close-up detail that it becomes bizarre, an uncanny dimension that nonetheless rings horribly, weirdly true. "So you've put a picture on the lovely blank wall that used to go pink in the sun and feel like an ice cream. A wall on which I used to rest my eyes in pleasant contemplation." - from 'Domestic'
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Simone Atangana Bekono's poems are vivid and arresting, with the feeling of letters or diary entries. In nine breath-taking streams of consciousness, the poet explore race, gender and sexuality, addressing the social stigmatization of race and gender and invoking empathy and human connection in a voice that is both confident and innovative.
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Makeover / Laurie Bolger. - [miejsce nieznane] : The Emma Press : Legimi, 2024.
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Makeover is a book dripping with nostalgia, cigarette ash and sour cream dip. Lit by too-close TV screens and too-bright calorie counters, Bolger's poems explore growing up, differing bodies and societal expectations. Writing in praise of mums, nans and sisterhood, this is a work bursting with strength, anger, love and, ultimately, hope. In a celebration of girls shaped by swimming baths and Working Men's Clubs, friendship and family, Makeover contends with what we inherit and what we ought to pass on.
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Each day of 2015 Jan Carson wrote a short story on the back of a postcard and mailed it to a friend. Each of these tiny stories was inspired by an event, an overheard conversation, a piece of art or just a fleeting glance of something worth thinking about further. In this collection of highlights, Carson presents a panoramic view of contemporary Belfast – its streets, coffee shops, museums and airports – through a series of small but perfectly formed snapshots of her home.
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In 2015, suffering from a dreadful case of writer's block, novelist and short story writer Jan Carson set herself the challenge of spending an entire year writing short pieces of microfiction on postcards and mailing these to friends around the world. When 2016 ended, she found it impossible to stop writing postcard stories. The stories in this collection represent the best of some five hundred postcard stories Jan has written since.
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priced out / Conor Cleary. - [miejsce nieznane] : The Emma Press : Legimi, 2019.
Forma i typ
This pamphlet speaks, in an urbane and charmingly deadpan voice, to anyone who has ever had both an 'obsession with luxury resources' and the nagging feeling 'you've arrived at the counter of a shop / only to be told what you're carrying isn't legal tender'. The centrepiece of Priced Out is a tender and wry sequence of sonnets addressed 'to my mother at my age' which explores the 'fat promise' of the nineties economic bubble and its deflated aftermath. Despite their sharp historical awareness, Conor Cleary's poems live unmistakably in the twenty-first century, mapping the contours of a world of goofy Vines, flat-pack Christmas trees, and the barely-suppressed terror of economic precarity. Even as Cleary's speakers agonise over the difficulty of living with others — 'what if my gums / concealed big steel / fangs ... that were very / much part of me' — poem after poem reaffirms its commitment to human connection, working towards a calmly bemused acceptance of the dangers and wonders of contemporary existence.
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School can be hard, fun and strange – sometimes all at once. It's full of your best friends and all the teachers as well as lots of kids you haven't met. Every day reveals more stories and challenges…Everyone's the Smartest is a collection of poems which tell strange new stories in familiar settings. From clever ducks who fly far away while children are stuck in school, to bathroom taps that are just one mistake away from turning the school into a great lake, this collection reminds its readers that there is wonder everywhere.Packed with extra features, including interviews with the author and illustrator, notes from the translators, fun facts about Estonia, and ideas to help you write your own poems.
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Acerbic, precise and very funny, Pamela Crowe's poems explore home life and relationships in a delightfully forthright voice. Secret frustrations and anxieties are aired and private fantasies brought into the light, as odes blur into diatribes and psychodramas become love poems. Woven throughout The Bell Tower is a love of Jane Austen, Sylvia Plath, Wendy Cope and – above all – Helen Fielding's Bridget Jones. These are fierce, acutely observed poems that give weight to domestic minutiae and put words to helpless howls into the abyss. You, the cloud. Oh look! there you are, blobbing along as if you're best friends with rain and thunder is your dad. Fuck off. - excerpt from 'Cloudcunt'
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Eggenwise / Andrea Davidson. - [miejsce nieznane] : The Emma Press : Legimi, 2023.
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Can you feel homesick and at home at the same time? Ever felt lost for words but full of things to say? Meet Andrea Davidson. In Eggenwise, Andrea explores moving to a different country, learning a new language, growing up and falling in love through poems that notice the remarkable in the everyday: a salted parsley sprig, thundering raindrops on windowpanes, and the buzzzZZZzzz of a pesky pet fly. Through warm and conversational verse, Eggenwise invites you to step into the author's new home in Belgium, to roll your tongue around new words, savour their sound and share your own story through poetry… Fully illustrated throughout by Amy Louise Evans.
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A mind-blowing collection of poems about love, life, and a long-overdue introduction to the unique worldview of Ikhda Ayuning Maharsi. Ikhda captures the intensity and wildness of love, sex, motherhood and family ties through her heady and sensual poems and character sketches. She flexes and chivvies the English language into hitherto undreamt-of places, dipping occasionally into French and Italian, and presents it all back to the reader in compelling, undeniably truthful nuggets, with exquisite tenderness and humanity. Ikhda Ayuning Maharsi has worked in television, advertising and as a scriptwriter on a sitcom in Indonesia. She performed her poetry for the first time in 2011, at Cité Internationale Universitaire de Paris. She now lives in Naples, where she is enjoying her new role as mother to her little boy Corentin.
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The Goldfish is a sumptuous, surreal exploration of femininity. The poet inhabits the voice of a goldfish through a series of linguistically experimental poems which plunge us into the glass bowl and invite us to gaze out. The poems are in turn sensual, spiky, and queasy, as the poet satirizes the patriarchy and issues a rallying cry for women broken down by society. Halfway through the book, the scope opens out to the world beyond the goldfish bowl, via the story of a free spirit passing through customs, a paean "to our white husbands", and a letter which heals old wounds.
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Meet Balam, a boy who could be a cat. Meet Lluvia, a girl who could be the dawn. Balam and Lluvia are siblings who catch fireflies, bid farewell to their pet fish in the bathroom, and wait for Ratón Pérez to collect their teeth. In Balam and Lluvia's House, the secret tastes and sounds of the everyday are waiting to be found. From the smell of crushed laurel leaves to the whispers of the peach tree in their back garden, every day is a day of discovery. Full of lively and reflective poems, this book invites the reader to run alongside Balam and Lluvia captivated by the world that surrounds them. Lawrence Schimel's translation brings the work of acclaimed Guatemalan author and playwright Julio Serrano Echeverría into English for the first time.
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This is a picture book for everyone, framed as a bedtime story (and love letter) to the author's son. It follows the events of the little boy's birth, and his mother's struggle with her new role. In stunningly raw writing that cuts straight to the heart, Eihmane tells a story about love and where love comes from.The book is beautifully illustrated by the author, in dark blues and reds, with expressive, blotchy artwork. The book is tactile, printed in risograph and stapled for a welcoming, open feel.EXTRACTI realized my heart was very small. The size of a pea maybe. There was very little love inside, struggling to get out. I said No to the rest. I didn't like saying No at that time. Maybe it was my first and only No for a long time.Then my heart started to grow with you. I made it grow so you get all the love you deserve.Now I watch my heart, I check with it each morning and each night so it doesn't stop growing with you.
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AWOL / John Fuller. - [miejsce nieznane] : The Emma Press : Legimi, 2015.
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In rural Wales, wandering the dunes west of Pwllheli, John Fuller has composed a letter on the subject of travel: warning against it, wondering about people's presences and absences, and serenely admiring 'the Wales of sheep and song'. His correspondent, young Andrew Wynn Owen, replies with friendly enthusiasm, matching John's poetic form while flouting his advice and hopping from gallery to garret via Luxembourg and Venice. Between them, they consider: is it better to risk seeming 'stay-at-home, | A stick in mud' or 'to pass life scared | Of stillnesses' AWOL is an infinitely charming collaboration between the eminent poet John Fuller, with a career spanning over 50 years, and bright young poet Andrew Wynn Owen, whose first pamphlet was published in 2014. Beautifully produced in a large square format, this book is illustrated throughout in full-colour with watercolours and line drawings by Emma Wright. The epistolary poems are composed in terza rima in tetrameter lines, reflecting both poets' love of metre and formal challenges.
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About Us / Reda Gaudiamo. - [miejsce nieznane] : The Emma Press : Legimi, 2023.
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Now's not the time to think. Now's the time to feel. A taxi ride, a train trip, a family photo: in About Us, seemingly unremarkable journeys and mundane objects ripple with the repercussions of past decisions. All is not what it seems at a family wedding, a regretful father risks estranging his daughter, and a young woman is tormented by the cries of a baby that her partner cannot hear. Reda Gaudiamo's characters charm, chafe and confound in a series of intimate snapshots of domestic relationships. With twists shifting from the comically mischievous to the abruptly chilling, this collection is a bold slice of contemporary Indonesian literature.
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Na Willa is a bright, adventurous girl living in Surabaya's suburbs, her home in the middle of an alley surrounded by cypress trees. She spends her days running after trains, going down to the market, and thinking about how people can sing through radios. Indonesian author Reda Gaudiamo has created a collection of stories of curious adventures and musings of a multicultural girl growing up in Indonesia with an East Indonesian mother and a Chinese-Indonesian father. Set in a time when children spent the day outside, listening to Lilis Suryani's songs on the radio, and when race and gender would still go undiscussed, this is Na Willa's story as she grows up unafraid to ask the big questions.
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Lost City / Roz Goddard. - [miejsce nieznane] : The Emma Press : Legimi, 2020.
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A sequence of poems set in an imagined city, examining the impact of post-industrialisation and the effect of toxic political leadership on the collapse of cities and communities. The poems offer perspectives from various characters living in the City, from the tour guide to the photographer to the hostess at Kissorama.
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'A warm and snouting thing' dances delicately between the sizzle of nerves brought on by proximity to sex and the ambiguous stability of commitment and family. These poems emphasise the physicality, not only of desire, but of the human and natural worlds which surround and shape it: springing ferns, 'saddle-soap / and saddle-sores,' and a vivid scene in which the speaker's mother boils alive 'two huge crabs, rough as roof-tiles' on a holiday with her husband and his lover. Herdman's voice is always precise, even at moments of the most brazen intimacy, whether staring at the backs of men's necks on the Tube across 'a little inch of shared air' or observing the 'patterned' flesh underneath the buttons of a corset. There are tales of teenage self-confidence ('vest tops in April') and adultery averted – but there is space here, too, for a settled life with a salad spinner, and a long-term lover's belly 'warm in its burrow'. The poet skilfully negotiates the twin pulls of the familiar and the unknown, generating a forceful and compelling charge from the energy of flight resisted.
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